In a perfect world, I see my work as a method of signaling the danger of self-isolation, a failed attempt to integrate into society, even a method of intimacy with oneself.

The perfect world is only a mere concept, of course.

Working with film and painting mostly, my art focuses on social and interpersonal decay. Portrayed through methods of gruesomeness, body horror, and heartbreak, I strive to achieve the forgotten fears of oneself.
In my practice, there is an emphasis on subjective experiences that I try to relate to a grander audience. My goal is to start a conversation about the danger of a hyper-individualistic society and its effects on mental well-being.
I work primarily in film, taking a more of a classical approach to storytelling and providing a fictional base for a subject of conversation